Rating: 4/10. Creepy but the old man looks rich. Look at his watch. The lights and the video would go out.Thomas: People would think the power went out. Especially early on, we were playing more DIY shows in alternative spaces and that could have happened.Jacob: We wanted to end it with that moment hanging, leaving everyone wanting that chorus.So the version I’ve heard isn’t incomplete? That’s how you ended it live and chose to end the recording, as well?Thomas: We’ve gotten emails saying, “I’ll pay you money if you’d just finish that.” But we’re just constantly moving so, you know. We keep it up there as something people can listen to because it has always gotten such a strong response.
2. I did not get it as white ink because it is easy to hide or its like having a tattoo but no one sees it. I got it in white ink because its beautiful and really speaks to me. The rich and the noble were those hand crafted from the yellow clay, and the poor and the ordinary were the manifestations of pulling the rope through the mud and flinging it. Later with the establishment of class and privilege, the hand created humans become nobility and the rope drops commoners, so it is not only telling of creation but of social hierarchy. There are detailed descriptions in the Feng Su Tong Yi, Comprehensive Interpretation of Customs, of Nu Gua intention of enrichment and beautification of the world through her creation of human beings, not necessarily the creation of social classes..
The BLO’s production began ingeniously with the opera’s Prelude, which, in particular, focused on the construction of the character of the scribe. The scribe is cast as an archivist carefully recording the historical events of the Armana period. He is seen pacing the stage, occasionally stopping to scribble notes on a handheld tablet.
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